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Additional works
List Of Works

In God's Esperanto
any seven melodic instruments

Same Steps
solo clarinet & and modular ensemble

So We Begin Afresh
string quartet

Porfyrius' Shuffle
a circle for solo piano

Nicolai's Objection
three percussionists

A Line Has Two
soprano, aulos, two clarinets, two percussion & electronics

Trace Elements
any two wind and two string instruments

Shoal
six unaccompanied voices

Imagining le Verrier
solo cello

Chinese Whisper
for twelve strings

Ptolemy's Onion
bass flute & string quartet

Additional works


Seven Relics
soprano & cello

Premiered by Alison Morgan & Geoffrey Gartner, The Studio Music Sessions, July 2002, Sydney Opera House



Bucolica
bass clarinet & tenor saxophone

Premiered by Carl Rosman & James Nightingale 1998
Listen to an excerpt of Bucolica [MP3, 3.2 MB]

“Of the programmed pieces, it was Ricketson’s Bucolica that impressed this reviewer. Ricketson’s delicate duet for tenor saxophone [Michael Lichnovsky] and bass clarinet [Carl Rosman] is an essay in which the parts weave micro-tonally around one another to disclose a multitude of curious timbres.” The Age, Melbourne 6/06/00



Just Below Nausicaa
for orchestra

Premiered by the Tasmanian Symphony Orchestra [cond. Richard Mills]
Inaugural 'New Voices' series, June 1998 Hobart



Hol - Spannen - Luiden (percoda)
solo percussion

Premiered by Claire Edwardes in the 1997 Sydney Spring Festival
Listen to the first movement Hol [MP3, 6.6 MB]

“…it was the Australian contingent of Damien Ricketson … that most impressed” The Age 26/03/04



Chirriar
small orchestra

Premiered by the Tasmanian Symphony Orchestra [cond. David Porcelijn] Australian Composers Orchestral Forum, Dec. 1996, Hobart
Listen to an excerpt of Chirriar [MP3, 3.5 MB]



Lamina
trumpet & large ensemble

Spring Ensemble [tpt. Corrado Palleschi] Sixth Sydney Spring Festival of New Music, Sept 1995

“Damien Ricketson displayed genuine compositional talent in his understanding of perspectived dynamics and his fluent handling of texture and figuration were persuasive foils in the challenges in stamina he threw at the soloist” Sydney Morning Herald, 12/09/05

“Damien Ricketson generated the sense that his music was going somewhere, offering prominence and daring.” The Sun Herald, 17/09/05

“… undoubtedly talented, his Lamina for trumpet and large ensemble comfortably escaped the ‘student composition’ genre and proved to be particularly effective” The Sydney Review, Oct.95


For access to these works please contact Damien directly

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